"What has made the difference?" "Beautiful things?" Mrs. Gereth turned again to the little worn, bleached stuffs and the sweet spindle-legs. "They're the wretched things that were here—that stupid, starved old woman's."!

"I say nothing else—I say it all the while. I said it the other day a dozen times." Fleda made no immediate rejoinder to this, and before she could choose one he repeated his question of a moment before. "Am I to tell my solicitor to act?" "Oh, I'll show you that!" said Owen.

Mrs. Brigstock, at this, became vivid at once; Fleda thought she looked most peculiar. She stood straight up, with a queer distention of her whole person and of everything in her face but her mouth, which she gathered into a small, tight orifice. Fleda was painfully divided; her joy was deep within, but it was more relevant to the situation that she should not appear to associate herself with the tone of familiarity in which Owen addressed a lady who had been, and was perhaps still, about to become his mother-in-law. She laid on Mrs. Brigstock's arm a repressive hand. Mrs. Brigstock, however, had already exclaimed on her having so wonderful a defender. "He speaks, upon my word, as if I had come here to be rude to you!" Fleda was silent a little. "What do you know about his 'loving' me?" "You've simply, in your extremity, made a delight of her." Fleda took the highest line and the upper hand, and as Mrs. Gereth, challenging her cheerfulness, turned again a lustreless eye over the contents of the place, she broke into a rapture that was unforced, but that she was conscious of an advantage in being able to feel. She moved, as she had done on the previous occasion, from one piece to another, with looks of recognition and hands that lightly lingered, but she was as feverishly jubilant now as she had formerly been anxious and mute. "Ah, the little melancholy, tender, tell-tale things: how can they not speak to you and find a way to your heart? It's not the great chorus of Poynton; but you're not, I'm sure, either so proud or so broken as to be reached by nothing but that. This is a voice so gentle, so human, so feminine—a faint, far-away voice with the little quaver of a heart-break. You've listened to it unawares; for the arrangement and effect of everything—when I compare them with what we found the first day we came down—shows, even if mechanically and disdainfully exercised, your admirable, infallible hand. It's your extraordinary genius; you make things 'compose' in spite of yourself. You've only to be a day or two in a place with four sticks for something to come of it!"